Zodiac - a film and performance to remember and Brothers released in Germany at last!

As the preparations get under way for the Oscars (see below), there are some reminders about of many of the other 'best of' films that never quite got the Academy Award vote of approval for reasons that are beyond fathoming. And probably aren't worth the effort of fathoming.


David Fincher has an Oscar nomination for his astonishing work on Social Network. While this is enormously well-deserved, it has caused some to wonder why an earlier movie of his, Zodiac, was completely ignored by those award-giving committees. While it isn't productive to dwell on such things, what is extremely rewarding is to think back on a film, which, for me, puts crosses in all of the right boxes. And it's good to think that Fincher's Oscar success this year may attract new audiences to another film - Zodiac.



Zodiac isn't just the perfect police procedural movie, for me it succeeds (so much so it's in my top three films that I have ever seen, maybe even the top one) because it excels and surprises in so many ways. Zodiac is a thriller with many scenes of superb dialogue and minute observation; it is a horror movie that terrifies through a distortion of a recognisable reality; it is an elegant evocation of 1960s' and 1970s' San Francisco. Through detail and song, Zodiac reproduces a past time in a memorable way, reminding one of the past through its accuracy and mood.



And then there's the acting. Jake Gyllenhaal's portrayal of obsessive Robert Graysmith is a landmark performance in his career. In the promotion for Zodiac, Jake spoke of the passions that affected his life - family, food, acting, films - and demonstrated once again why he is such a great actor of his generation - he understands fully the roles he plays.


But it's not just Jake here, of course. Robert Downey Jr, in one of the first of his come back performances, and Mark Ruffalo and the actor whose skills Fincher may have appreciated the most, Anthony Edwards. Plus Chloe Sevigny and John Carroll Lynch who had appeared with Jake in two earlier movies, The Good Girl and Bubble Boy.


Aside from the film, which hooked me from its very first scene, there is also a soundtrack to listen to over and over again and a commentary featuring Jake and Robert Downey Jr together - a joy to listen to. Jake - and not just Jake either, RDJ said much the same thing - has spoken of what he had to endure to make this film. Tens of takes for each scene and, as the movie was filmed digitally, anything extra was instantly deleted.


This was a new experience for Jake but, judging by his body language with David Fincher in Cannes in May 2007, all of this was forgiven and a new relationship born. Jake has spoken recently of his pride in working for David Fincher. Without doubt, this will be an experience to look back on and we have been left with an astonishing film.



Brothers

Rather surprisingly, Brothers was finally released in Germany this week (27 January). Can there be any sense at all in releasing a film this far removed from its original debut? At least it ties nicely with Natalie Portman's huge Black Swan success.



And finally...



Includes pictures from IHJ and here.

My review of the wonderful Tangled now up on MovieBrit.